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Actions, I'm gonna have you talk about actions in just a second, and I have even set up my comps inside my library. And you make sure you always have them with you.
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Either you have 'em at home or you have 'em on the cloud or you have 'em on a hard drive. And the bag of tricks is the, I don't know, like your goodie bits, your actions, your libraries. Sometimes I’ll even tweak “properly exposed” images to make them more dramatic looking when editing.The next thing we wanna talk about about this, and this is all kind of related to onset, is what I like to affectionately call the bag of tricks. It also doubles as a convenient way to make clutter less distracting so I guess everyone wins! Aside from all of that, I just really love a darker, grittier photograph. The resulting image is wonderfully dark and moody, usually sparking some new idea for a second, follow up image. I’ll put my kids in the brightest light and expose for that, blacking out or intentionally underexposing all of the deeper shadows in the frame. A great example would be near a window in a dark room when the sun is still very bright outside. One of my favorite things to do when I’m just playing around is to look for areas in my house with high dynamic range (this just means there are really bright and really dark areas all in the same frame). I love to play with light and find creative new ways to shoot in the same old spaces. And it can get a little redundant if I don’t experiment from time to time. Underexposure is a wonderful creative tool. It’s okay to push their limits a little when you need to!Ĥ. Our cameras are incredibly capable when it comes to shadow recovery. Once the highlights are blown, you’ve lost that data forever so those really beautiful blue skies and puffy white clouds are as good as gone.Ī slightly underexposed subject, however, can be corrected pretty easily with a simple brush and/or radial filter by bumping up the shadows and the whites until you get it just right. Generally speaking, shadows are much easier to recover in post production than highlights are. Instead, it will help you preserve some of the brighter background detail and keep you from blowing your highlights. While underexposing too much can introduce unnecessary noise, dialing it down by one stop (or even two) isn’t going to ruin your image. Underexposure preserves brighter background detail and adds contrast.Ī modern camera sensor preserves an incredible amount of information, particularly when shooting RAW and at a lower ISO. Neither method is universally appropriate under all shooting conditions either, so I imagine most photographers get a fair amount of practice with both, whether they mean to or not.įor me though, I find that slightly underexposing my images whenever possible gives me better results. Neither method is wrong and cases can be made on both sides. Other photographers, myself included, prefer to deliberately underexpose their images instead. Slightly overexposed photographs also have an airy, ethereal feel to them, which can be quite lovely. They say this method results in more tonal information and maximizes image quality. Some photographers like to ETTR (aka expose to the right) or overexpose just enough to avoid blowing any highlights.
ALIENSKIN EXPOSURE HOW DO I GET OUT OF RETOUCHING MODE MANUAL
Once we’ve mastered manual mode and can shoot in varying conditions with relative ease, we learn to “bend the rules” a little in order to accomplish certain aesthetics. That’s because shooting preferences are pretty personal. Talk to three different photographers about “proper” exposure techniques, and you’ll probably get three different responses.